Weisgall has a haunting, bruised mezzo belt . . . All the performers, but particularly the women, sing for longer periods than you would think humanly possible.

— TimeOut New York

To call Life and Times “monumental” feels paradoxical, since the show’s subject matter is decidedly mundane. Yet Nature Theater of Oklahoma has found a way (or, rather, multiple ways) of elevating the prosaic to monumental heights.

— Stage and Cinema

Nature Theater has quickly risen to avant-garde royalty . . . Alison Weisgall’s crisp vocals especially serve the show’s schizophrenic combo of extreme theatricality and banal monologue.

— Backstage

It’s not always easy playing a woman in SorkinWorld, but Alison Weisgall makes Galloway an immediate, forceful presence.

— The Pittsburgh Current

Alison Weisgall and Doug Harris . . . lead a thoroughly stellar cast . . . Overzealous and righteously determined despite her iffy track record in the courtroom, Weisgall’s Galloway is unflappable yet deeply human. Weisgall’s studied performance is as grounding as it is engaging, and her stalwart showing is one of the more memorable aspects A Few Good Men’s plenitude of highlights.

— PGH in the Round

Weisgall’s portrayal of Galloway is sensational and empowering. Despite being more petite than the domineering military men she shares the stage with, Galloway stands tall and proves herself a true hero in this plot. As the title suggests, the play is filled with a handful of good men, but the show is stolen by the one valiant woman.

— The Duquesne Duke

This seemingly simple presentation becomes an emotionally driven, thought-provoking climax as Weisgall’s quiet, non-verbal response to her own presentation proves just as rhetorical as her intense monologue.

— onStage Pittsburgh

Alison Weisgall (Claire) brings a breath of authenticity to the production. It’s no difficult task to see the talent she exudes in her supporting role. Weisgall became one with the environment and the world of the play, a given constant which to me was never questioned. It is truly rare to see an actor “fit” precisely into not only the role, but the play itself like a piece of a jigsaw puzzle and I applaud her work.

— PGH in the Round

One is Tessa (played superbly by Alison Weisgall), a British market researcher . . .

— Entertainment Central Pittsburgh

Weisgall is excellent at conveying the walking on eggshells apprehension that characterizes being around someone who is “bughouse.”

— Pittsburgh Tatler

Alison Weisgall plays Laura with quiet strength rather than cloying fragility.

— The Hippo

Weisgall . . . is thoroughly convincing as a single-minded go-getter.

— The Washington Post